CLASSIC EMBROIDERY
About Chainstitched
My Story
My interest in vintage style embroidery began when I wanted to recreate a wool cycling jersey from the 1930s to wear at the L'Eroica bicycle event in Paso Robles, California. After sewing my first wool jersey, I realized computerized embroidery machines could not accurately replicate the "old-school" lettering style and appearance. Determined to achieve the right look, I did some research, and I discovered Chainstitch machines.
I soon learned that shirts, jackets, household linens, western wear, and even 1950s poodle skirts were all embroidered on a machine with origins that date back to France's mid-1800s. Because of my interest in old machines and the creative possibilities, I was hooked and began embroidering using techniques developed over a century ago.
My Work
I have found inspiration for my work through sources, such as nature, social movements, and family traditions.
In addition to working on my designs, executing my clients' vision is one of the driving forces behind Chainstitched. Whether the piece is for practical, decorative, or commercial purposes, my customers can be sure they will receive a unique textile piece.
Since each embroidery is made one at a time, multiple reproductions of the same design will differ. Dyes vary, colors change, stitch patterns, and sizes, and even flaws contribute to a unique handmade embroidery.
Tools of my Trade
At Chainstitched, I use Cornely embroidery machines manufactured in France between the 1900's through the 1960's. The Cornely Chainstitch machine is an important example of the mechanization of traditional hand embroidery.
The first successful embroidery machine was designed and manufactured by the French engineer Antoine Bonnaz in 1865 and performed both chain and moss stitches. Ercole Cornely further developed the Embroidery machine at his factory in Paris, and other manufacturers followed suit.
I use wool or cotton and an acrylic blend of thread for my embroidery. Each type of thread has specific characteristics that not only behave differently in each of my machines but also dramatically affect the visual appeal of the designs. I have a large thread "stash" that includes all the rainbow colors plus shades and hues as vast as the imagination of those who dyed it.
Although mechanized, this process is not computerized. Using a handle hidden underneath the table, I physically guide each stitch until the work is complete.